Equity Doesnt Mean Extra

Image

Format

png

License

Creative Commons Licence

Contributors

Contributed date

February 11, 2020 - 5:05pm

Critical Commentary

The top image in this combination is the “go to” slide for the City of Austin when they introduce their conception of equity. I've been bringing this image up during my interviews to see how it is read by more critical audiences. One of my interlocutors, Kenneth Thompson, associated this image with the national, hegemonic discourse of the city that excludes the vernacular discourses taking place in the homes of black families. “Right, like I need help, right, and so who does that really make feel better about that, right? … when they put that thing together, they probably thought, it looks good and it probably gave them the responses they thought they was gonna get. But if they did go out and add more people and add some deliberative thought to those things, right, then perhaps someone’d say, ‘Hey man, wait a minute, you’re makin me feel like I’m in need all the time.’”

In Kenneth's words, Austin is a very “liberal” place, but not a “progressive” place. The distinction he is making here is that a “liberal” place can utilize control over the public discourse to rationalize and get away with whatever agenda they have. A “progressive” place, by contrast, considers the consequences of development and policy actions for all involved parties, including the meanings and the values communicated through those actions.

Another interlocutor, Dr. Tane Ward, made similar distinction between saying things with language as apposed to images. In an interview he commented that images are "more profound than the written word. And this is why I think that people are allowed to say whatever they want, but they are not allowed to show whatever they want." This was Tane's response to the image: "which is exactly what I’m saying. You can say it... These words are good [referring to the text in the image]. This is precisely what we’re talking about… [but] people see this and they intrinsically are like, 'hmmm, I get what’s going on. They wanna give extra shit to black people.'”

The contrast between text and image in this slide bears a symmetry to the dissonance between the City’s actions and the national discourse on Austin. Austin's progressive reputation simply does not align with the lived experiences of many of Austin’s black and brown residents. This is one way of saying that, although Austin’s white and non-white populations simultaneously inhabit the same “space,” they live in and experience the city as very different "places."

Austin’s white population relates to the relationship between the ontological and discursive space of Austin in a way that enables them to assimilate their experiences into the hegemonic discourse about the city. That is, their experience does not incite Third Order Learning, or a change in their expectations for the way their city is or should be structured (Bateson 1987). Even the self-referential critique of Austin’s history, which is included in the text embedded in the image, feeds into this hegemonic perception of Austin as a socially just and progressive place. In Tane's words, "you know, 'yea, if I talk about anti-racism, I don’t have to f***ing do anything.' When in fact... they’re really promoting the continuation and even the augmentation of racism in terms of how resources are distributed."

Being born and raised in a poor neighborhood in East Austin, Kenneth was in one of the first groups of Austin’s black residents to be relocated to the “projects” in North Austin. He understands this move as effectively depriveing him and other low-income children of access to numerous resources, including local black teachers and role models. “See there was no longer no teachers there, there was no longer no doctors there, there was no longer no one that you could go and talk to that can give you a different perspective on life. … That’s part of the economic injustice, and part of the environmental injustice that you have to deal with also. And so, to some degree, what that also caused was early death. I mean, I’m 58 years old and I bet I can name you 30 people that I grew up with, that died before 30 years old. That’s not something that everybody can do, and that’s not something that everybody should be able to do. But when you think about the disparities, that’s what disparities lead to.”

Listening to stories like Kenneth’s helps to illustrate how this sort of superficially progressive image actually participates in the erasure and exclusion of black experiences. This image does so in the following ways: 1) the visualization seems to suggest that black people need “more” assistance to create an even playing field, rather than simply taking away or offsetting the present and historical structural barriers to self-determination; 2) the metaphor of height (a “natural” difference in ability) is unfit to represent these structural disparities in the quality of life between Austin’s black and white population; and 3) it is simply inappropriate to represent disparities that result from life-course changing, structural violence with primary colored boxes, apples, and stick figures.

The second image, by contrast, suggests that the City has and continues to actively participate in preventing racial equity. And it uses visual metaphors that simply hit harder than terms like "structural violence" to get at some of the difference between Austin’s progressive discourse and it’s liberal reality. The bottom image also gets rid of “height” as a metaphor for inequality and replaces it with symbols of physical (arm restraints) and legal (“Whites Only”) barriers imposed by the City.

What becomes apparent when you talk with Austin’s local black and brown populations is that they do have a dissonant relation to the relationship between Austin’s discursive and ontological space, and this has caused a change in their expectations (i.e. Third Order learning). As with all Third-Order learning, this change in expectation has the potential to be beneficial or deleterious, tonic or toxic.

Attempting to make Austin residents feel good and maintain the city’s progressive reputation may seem quite reasonable, but the dissonance between that representation and the situation of the city's black population has detrimental effects on the psycho-social dynamics of local black families. It presents young black folk with a double bind. They are being excluded from a conversation about inclusivity. I'll quote Kenneth again, “Two things happen, we start to feel like, first of all, that our voice doesn’t exist, right? And then you start trying to figure out, to some degree, why should you get involved? Why should you get involved when it appears that those who should be the architects of fairness, right, are still imbalanced with their media and with their messages?”

Kenneth went on to argue that it takes a special skill to survive in Austin as a black person, one that reflects a certain positive form of Third Order learning. You have to become good at taking in the bullshit, digesting it, and making it into something you can use to improve the situation for yourself and your family. Which is obviously a very difficult skill to cultivate. 

Group Audience