People with illnesses caused by toxic exposure are often referred to as canaries: like canaries in coal mines, they warn others of the mounting harm of everyday exposure to the toxic products of capitalism, from personal care products to industrial effluent. As part of the Chemical Entanglements initiative at the UCLA Center for the Study of Women (CSW), we are exploring how visual representations of canary narratives can serve as activist tools and challenge gendered conceptions of chronic illness as imagined or hysterical.
In collaboration with artist and poet Peggy Munson, CSW has produced a series of cartoon-like provocations designed to confront viewers with the violence and harm caused by toxic personal care products, particularly to women, people of color, LGBTQ individuals, and other already-vulnerable persons. Building on this work, we aim to produce imagery to accompany a forthcoming series of oral histories. These oral histories will document the lives of activists who work to expose the accumulating damage caused by toxicants, and in so doing, advocate for change at both individual and institutional levels. How, we ask, can visualizing their narratives underscore how toxic exposure is a gender equity issue? How might these visualizations work in concert with data visualizations to persuade policymakers to take action to protect the public health? In addition to creating new visualizations, we will collect and invite crowdsourced commentary on existing artistic representations of the symptoms of toxic exposure (from graphic novels, zines, films, etc.) created by chronically ill individuals. In so doing, we will ask what a feminist approach—one that is intersectional, which advocates without objectifying, which centers marginal perspectives--to visualizing canary narratives might look like.
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