BishopC 2012 Artificial Hells: Participatory Art and the Politics of Spectatorship

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Creative Commons Licence

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Contributors

Contributed date

January 28, 2020 - 1:40pm

Critical Commentary

Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. 

Source

Bishop, C., 2012. Artificial hells: Participatory art and the politics of spectatorship. Verso Books.

Group Audience

Cite as

Claire Bishop, "BishopC 2012 Artificial Hells: Participatory Art and the Politics of Spectatorship", contributed by Tim Schütz, Center for Ethnography, Platform for Experimental Collaborative Ethnography, last modified 17 October 2021, accessed 24 December 2024. http://centerforethnography.org/content/bishopc-2012-artificial-hells-participatory-art-and-politics-spectatorship