The article provides a number of philosophical insights on how we are anthropologists should engage with archives and the prevailing practices that continue to this day. Drawing from Derrida's Archive Fever, the authors push forward the post modern mission to take on archives, the archivists and the process of archiving itself as objects of study, complicating their understanding as being constitutive of the very 'past' and 'memory' that they seek to preserve. However, present day archiving of social scientific data continues to draw upon the belief of an ontological divide between data and context, instead of viewing data as being reflexively constituted through historical and cultural specific practices. Furthermore, there is even less of an inclination to consider data archiving and/ or the process of data collection, curation and analysis as being more than mere techniques of preserving data and context instead of being constitutive of the very data that they seek to preserve and represent.
Therefore, the need to take into account the performative and constitutive aspect of data archiving and curation practices is vital to the field of archive ethnography. Materials of archives need to be understood within their relation to the archiving practices that materially and discursively constitute them. The article draws upon examples of data cleaning, data anonymization and meta data preparation to explore the conceptual assumptions underpinning these practices of data curation i.e. as being neutral and technical. However, all three practices enact and embody normative conceptual assumptions ( sexual orientation, the personal vs meaningful , etc) that constitute the kind of data that is then preserved, categorized and discarded as being "unlikely", "impossible" or to be retained or discarded.
So therefore, what is required is not to reject categorization of any kind or archival practices in totality ( which is impossible as no archives would then exist) but rather to place them within the framework of analysis in order to engage with the assumptions underpinning them and to deconstruct the process in which they are naturalized and taken as granted. Furthermore, what is vital is to understand archived data as being "made and remade through multiple practices ... practices that are normally treated as neutral and innocent techniques ... (which) renders invisible their constitutive role in the ontological formation of data, records and artifacts" ( pg 166)
What concepts, ideas and examples from this text contribute to the theory and practice of archive ethnography?
The idea that data curation practices are “performative” (p. 156) is an important consideration for the data collection and curation practices for both archive ethnography and social science research in general. As Mauthner & Gardos (2015) write, “Data curation practices are ‘performative’ in that they help bring into being the data they ostensibly preserve” (p. 156). It is not only the positionality of the archivist or structure of the archive that can influence an archive, but data curation practices themselves. In this sense, routine data curation practices that we may take for granted such as data cleaning or metadata, may themselves shape the archive and the knowledge it provides. Thus, it is essential that scholars not only critically reflect on how their positionality affects their knowledge production, but how the most routine and mundane tasks of data management during the research process can ultimately privilege a certain narrative while excluding others.