The sentiment I get from the critical commentary and the essay is the alcoholism in Urban Guatemala is causal for endemic aberrations and an impediment to societal progression. I would caution against overarching force-causing claims by perhaps endorsing a "formation stories" approach elaborated by historical sociologists Daniel Hirschman and Ariail Reed. For example, how does postcolonialism, queer assemblages, and neoliberalism intersect with violence and alcoholism in Urban Guatemala?
This visualization is a layered, in-your-face, critique of alcoholism and masculinity in Guatemala. The artist transforms the El Borracho Loteria card into this triptych of a dick-head that suggests alcoholism is prevalent across socio-economic status. Mohamed situates this image within a discussion of toxic masculinity in Guatemala. . His interpretation contextualizes this image as social-critique showing its multifaceted connections to art and male culture.