Less the image and more the critical commentary interpellated me as a woman/feminist: the details re the gendered division of labor in Madre Del Dios into miners and sex workers was artfully drawn out vis-a-vis the imagery on the bottle. The image itself first hailed me as a drinker of beverages from bottles; only the critical commentary helped hail me as a thinker on topics re (metal/mercury) toxicity's re sexualization/eroticism of mortal danger and risk and the relation to gendered labor forms in the region.
